I was not planning a photo session when I went out to prune my Magnolia soulangeana.
It seems to have been raining all winter in here in California, and I never found the time to get my winter pruning done. By the time I got around to pruning, the magnolia was just beginning to flower.
It is one of my favorite trees, and has a prominent spot at the entry to my garden. A deciduous tree flowering in mid-winter, it never fails to make me think spring is upon us. It needs pruning every year so that I can keep it fairly small, as it lives under a towering oak tree.
Putting off the pruning up until it was about the flower gave me the opportunity to bring some branches into the house. The next day flowers begin to open and I simply had to grab my camera. The magnificent sensuous flowers are full of life and grace.
Light coming through the glass doors leading to my deck created a wonderful glow, what studio artists sometimes call northern light. It is soft and full and indirect. Perfect for portraits.
I brought in a large white card to reflect the light into the shadow side of the simple bouquet.
Normally this sort of simple fill light opens up the shadows on the backside of a subject, the side away from the light. But in this case it didn’t help, the white petals seems very flat, with no real zing.
Notice the difference between these next two photos.
Notice how the brighter light creates better texture and more definition for the highlights. The flower looks more white even though there are some dark shadows.
I love these sorts exercises with photography. I love the flowers require me to look carefully when I want to photograph them. I love playing with light to bring out the features.
With the same flower, but now taking advantage of the soft flat light, I can make the petals seem silky.
A different mood, a different portrait, but the exact same flower.
I had just cut branches off the tree – tree to bouquet.
Work and play; sometimes it is hard to tell the difference for a garden photographer.